Error en BD: SQLSTATE[42000]: Syntax error or access violation: 1064 You have an error in your SQL syntax; check the manual that corresponds to your MariaDB server version for the right syntax to use near 'AS Ubicacion, 1 FROM mp_cast INNER JOIN mp_peliculas ON mp_cast.IdPelicula = ...' at line 1Error en BD: SQLSTATE[42000]: Syntax error or access violation: 1064 You have an error in your SQL syntax; check the manual that corresponds to your MariaDB server version for the right syntax to use near ''' AS Ubicacion, 1 FROM mp_crew INNER JOIN mp_peliculas ON mp_crew.IdPelicula...' at line 1 Kent Sparling
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Kent Sparling

Kent Sparling

1966 (57 años)

San Francisco, California, USA

After early stints in theatrical sound and lighting design, Kent Sparling spent three years at Sound Transform Systems, hand-building Serge Modular analog synthesizers for musicians such as John McEntire and Trent Reznor. He departed STS in 1995 to work in film sound in Vancouver, BC, and since 1997 has been employed as a sound designer and re-recording mixer at Skywalker Sound, with credits on Sofia Coppola’s The Virgin Suicides, Lost in Translation and Marie Antoinette; Mike Mills’ Thumbsucker; Spike Jonze’s Adaptation and her; and We Own the Night and Two Lovers by James Gray. His deep ties to independent film are exemplified by his work on Lance Hammer’s Ballast, Miranda July’s The Future, Braden King’s Here, Bluebird from Lance Edmands, Ain’t Them Bodies Saints by David Lowery, Kelly Reichardt’s Night Moves and Ira Sachs’ Love is Strange.

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